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tiny systems coTHE JOURNALING WIKI

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LETTERING & COLOR

Space letters by the white shapes between them

Compare the white shapes between letters and adjust a penciled HAVE before committing the heading to ink.

You measure equal gaps across a heading, then step back and find that one pair looks detached while another seems glued together. The ruler hasn't failed. Letter edges create different shapes of empty space, so the same shortest distance can produce quite different visual gaps.

This exercise separates the width of a letter from the space around it. You'll compare straight and diagonal pairs, then pencil a short word in movable pieces. Use the measurements as starting points and your view of the whole word as the final check.

The whole word is reviewed after pair adjustments
The whole word is reviewed after pair adjustments Open the diagram
In this guide
Gather a few things See what you’ll need
  • Pencil and eraser
  • Scrap paper strips
  • Pen
  • Ruler

Look between the marks

Draw a pair of upright Hs about 12 mm high, leaving a 3 mm gap between their nearest stems. Beside them, draw A and V with the same nearest-edge gap. The wedge-shaped space between the diagonals will differ from the upright channel between Hs. Neither sample needs a decorative outline. Lightly shade only the gaps in pencil to see their shapes. Community calligraphy discussions repeatedly ask about this distinction, and block-lettering tutorials describe spacing as an optical judgment rather than a series of equal measurements.

WATCH & TRY

Move one pair at a time

Watch AV tighten while the letters stay the same size.

Even measured starts leave a wide diagonal gapEqual start gaps

Even measured starts leave a wide diagonal gap

The same starting gaps leave conspicuous white space around the diagonals.

Now try it on your paper.

Write H, A, V, and E on separate scraps with plenty of paper around each letter. Use the same height and stroke weight. Overlap the paper margins as you arrange HAVE along a penciled baseline; only the visible letter positions matter. You can also redraw the word lightly several times if cutting scraps feels like more work. Keep the baseline fixed during these trials. Changing vertical alignment at the same time makes it harder to see whether a spacing adjustment helped.

Make spacing reversible

Write H, A, V, and E on separate scraps with plenty of paper around each letter. Use the same height and stroke weight. Overlap the paper margins as you arrange HAVE along a penciled baseline; only the visible letter positions matter. You can also redraw the word lightly several times if cutting scraps feels like more work. Keep the baseline fixed during these trials. Changing vertical alignment at the same time makes it harder to see whether a spacing adjustment helped.

“Keep the successful HAVE with a note such as “AV closer; room after H.” Don't turn its millimeter distances into universal spacing rules for another style.”

Adjust the most conspicuous hole

Start with generous gaps and look for the largest apparent interruption. Move the V toward the A in small amounts, watching the triangular white area shrink. Then inspect HA and VE without assuming they should share the same movement. Avoid touching strokes unless joined lettering is your deliberate aim. The goal here is a readable word with an even sense of pace. Keep checking HAVE as a whole; an individually beautiful AV pair can still look too tight beside the rest of the letters.

WATCH & TRY

Compare the whole word

Move the reveal control to inspect this specific change.

Even measured starts leave a wide diagonal gapEqual start gapsRecheck whole word

Loose diagonal gap

The diagonal gap interrupts the word.

Now try it on your paper.

If the word is too wide, first check for unusually loose gaps. If all the gaps are already comfortable, redraw the whole word a little smaller or choose a narrower letter family. Compressing only the final E gives it a different personality. If the word is too short, leave wider outer margins rather than automatically spreading every letter apart. An inked word with one awkward gap can remain readable; use the next heading to test the correction instead of adding an ornament into the hole.

Fit HAVE in a real heading slot

Pencil a 55 mm wide heading area, then assemble HAVE at 12 mm high within it. Leave visible space at both ends instead of using the full width immediately. After adjusting the pairs, find the midpoint of the complete word and compare it with the heading area's midpoint. Shift the word as a group if needed. Only then copy its positions onto the page. This order prevents the last letter from being squeezed simply because the first three were committed too early.

Repair the draft without stretching a letter

If the word is too wide, first check for unusually loose gaps. If all the gaps are already comfortable, redraw the whole word a little smaller or choose a narrower letter family. Compressing only the final E gives it a different personality. If the word is too short, leave wider outer margins rather than automatically spreading every letter apart. An inked word with one awkward gap can remain readable; use the next heading to test the correction instead of adding an ornament into the hole.

MAKE IT YOURS

Write your spacing observation

The field records an observation rather than a universal spacing formula.

AN EXAMPLE — MAKE IT YOURS

Heading word:HAVE

Pair to inspect:AV first, then HA and VE

Your words have a place now.

The field records an observation rather than a universal spacing formula.

Words on this card
12
Now try it on your paper.

Use this completed note beside the worked example. Pencil a 55 mm wide heading area, then assemble HAVE at 12 mm high within it. Leave visible space at both ends instead of using the full width immediately. After adjusting the pairs, find the midpoint of the complete word and compare it with the heading area's midpoint. Shift the word as a group if needed. Only then copy its positions onto the page. This order prevents the last letter from being squeezed simply because the first three were committed too early.

Check the intended reading distance

Hold the page where you normally read your journal. Look away briefly, then return and say the word once. Notice which pair interrupts that first reading. A close inspection may reveal tiny irregularities that disappear at normal distance, while a large gap remains obvious. Turn the page upside down for a secondary shape check if useful, then return it upright before deciding. Familiar letter recognition matters too; the goal is a usable word, not merely a row of evenly distributed dark shapes.

TRY IT ON THE PAGE

Before fixing the letter positions

Order the preparation before the operation that needs its result.

One workable order

  1. Draft all lettersPair spacing can only be compared once both neighboring letter shapes exist.
  2. Compare and move letter pairsA locally improved pair still needs checking in the complete word.
  3. Check the whole word in its slotInk preserves the selected whole-word positions.
  4. Ink the chosen positionsKeep the successful HAVE with a note such as “AV closer; room after H.” Don't turn its millimeter distances into universal spacing rules for another style.

Which check needs to come first?

The example shows one workable order. The field records an observation rather than a universal spacing formula.

Now try it on your paper.

Keep the successful HAVE with a note such as “AV closer; room after H.” Don't turn its millimeter distances into universal spacing rules for another style. Wider strokes, narrower letters, and a different word all change the empty shapes. Stop when no single pair attracts attention before the heading itself. For a next practice, choose a word containing one round letter and two straight stems. Apply the same compare-and-adjust process, using the inside openings of the letters as an additional visual reference rather than a fixed measuring unit.

Record an observation, not a formula

Keep the successful HAVE with a note such as “AV closer; room after H.” Don't turn its millimeter distances into universal spacing rules for another style. Wider strokes, narrower letters, and a different word all change the empty shapes. Stop when no single pair attracts attention before the heading itself. For a next practice, choose a word containing one round letter and two straight stems. Apply the same compare-and-adjust process, using the inside openings of the letters as an additional visual reference rather than a fixed measuring unit.

Where this idea began

Want to follow the idea further? These community discussions and maker references are a good place to start.